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The Richard B. Fisher Center
for the Performing Arts
at Bard College

Annandale on Hudson, NY

Architect: Gehry Partners, LLP

Back to Selected Cultural Projects

The new Richard B. Fisher Center for the Performing Arts at Bard College encompasses approximately 110,000 square feet and includes an 800-seat multi-purpose performing arts hall and a 200-seat concert hall, a lobby/gathering area, box office, stage and performer support spaces, security office, loading dock and drama/dance rehearsal studios. Designed by world-renowned architect Frank Gehry, the center was developed to meet the College’s needs for additional, more sophisticated instructional and performance space, and is also part of a larger effort to promote New York’s Hudson Valley as a cultural/tourism destination point.
 
The project presented numerous engineering challenges, chief among them energy conservation and the need to design and locate MEP/FP systems so as not to visually compromise the project’s unique architecture. Having worked successfully with Gehry Partners previously and most notably on the highly acclaimed Guggenheim Museum in Bilbao, Spain, the Cosentini team was able to readily develop engineering designs and to meet this challenge. Instead of a conventional cooling tower system, Cosentini engineered a geothermal system for the project (considered to be the first one in the country to be developed for a new performing arts facility). This system utilizes the ground as a heat sink by using geothermal wells (commonly known as a geothermal heat exchanger system). It conserves considerable energy and is easy to maintain. Also, it eliminates the need for cooling towers which can negatively impact a project’s architecture as well as the environment because they reject chemically treated vapor into the air.  
Innovative thinking was also critical to the engineering of the project’s main theater.  As a multi-purpose area, this theater is equipped with an enclosed acoustical shell consisting of acoustical wall towers and ceiling that can be removed or reconfigured to accommodate different performances. Cosentini’s solution was to integrate the air supply system into the acoustical wall towers to make it possible for quick connection of supply air flexible ducts into the main duct when the acoustical shell mode is activated. Cosentini also performed Computational Fluid Dynamics analysis for air distribution in the main theater to determine optimal environmental conditions (temperature and air velocity).

 

 
 
 
 
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